The concept of the evil clown is related to the irrational fear of clowns, known as coulrophobia, a neologism coined in the context of informal “-phobia lists”. The cultural critic Mark Dery has theorized the postmodern archetype of the evil clown in “Cotton Candy Autopsy: Deconstructing Psycho-Killer Clowns” (a chapter in his cultural critique The Pyrotechnic Insanitarium: American Culture on the Brink). Tracking the image of the demented or deviant clown across popular culture, Dery analyzes the “Pogo the Clown” persona of the serial killer John Wayne Gacy; the obscene clowns of the neo-situationist Cacophony Society; the Joker (of Batman fame); the grotesque art of R.K. Sloane; the sick-funny Bobcat Goldthwait comedy Shakes the Clown; Scooby-Doo’s Ghost Clown from the episode “Bedlam in the Big Top”; Horny the Clown in the 2007 horror-comedy movie Drive-Thru, and Pennywise from Stephen King’s It. Using Mikhail Bakhtin’s theory of the carnivalesque, Jungian and historical writings on the images of the fool in myth and history, and ruminations on the mingling of ecstasy and dread in the Information Age, Dery asserts the evil clown is an icon of our times. Clowns are often depicted as murderous psychopaths at many American haunted houses. Wolfgang M. Zucker points out the similarities between a clown’s appearance and the cultural depictions of demons and other infernal creatures, noting “[the clown’s] chalk-white face in which the eyes almost disappear, while the mouth is enlarged to a ghoulish bigness, looks like the mask of death”. According to psychology professor Joseph Durwin at California State University, Northridge, young children are “very reactive to a familiar body type with an unfamiliar face”. Researchers who have studied the phobia believe there is some correlation to the uncanny valley effect. Additionally, clown behavior is often “transgressive” (anti-social behavior) which can create feelings of unease. -wikipedia
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